- #Phantom of the opera book written in eriks perspective how to
- #Phantom of the opera book written in eriks perspective full
All is normal for the retirement of the old managers of the Opera.until it is discovered that a stagehand, Joseph Boquet, has been found hanging in the third cellar. Who will win the heart of Christine? the handsome, rich Raoul or the masked Angel of Music? A story of romance, murder, sacrifice and sadness, this riveting, seductive tale will keep your emotions high until the very last page of the shocking conclusion.-Submitted by child of the wilderness. The past comes back to haunt her, the future ahead is uncertain, and the present is undecided. But her old child hood sweetheart, the Vicount Raoul de Changy, has also entered the picture. A mere chorus girl, Christine Daae, becomes, under his guidance, a well known singer with a beautiful voice. The Phantom of the Opera lives under a famous opera house. Still, it holds up pretty well, all things considered, with all the right pieces in the right places.This edition translated from the French in 1911 by Alexander Teixeira de Mattos. As a result, the plotting is much better in the play/film. Notes: The book suffers from some of the heavy-handed devices and melodrama of its period. Resolution: The epilogue reveals Christine kept her last promise to Erik by burying him after his death. Third Plot Point: Raoul and the Persian end up in Erik’s torture chamber, doomed to death, while Erik forces Christine to agree to marry him.Ĭlimax: After Raoul and the Persian escape the torture chamber, Christine agrees to sacrifice herself to Erik to keep him from blowing up the entire opera house.Ĭlimactic Moment: Touched by Christine’s kindness and acceptance, even in the face of his cruelty, Erik releases her and the others. It turns the plot, but the only emphasis of the antagonistic force and the stakes is that which already existed thanks to the events of the Midpoint.
He knows all about Erik as a previous acquaintance, and he agrees to take Raoul down to the subterranean lake to rescue to Christine.Īs it stands, this isn’t a stunning pinch point. Second Pinch Point: The Persian (essentially a brand-new character) takes over as narrator and protagonist from this point on. Midpoint: After a lengthy “Moment of Truth” segment, in which Christine reveals the truth about O.G.-Erik-living in a house by the subterranean lake far below the opera (and, in which, an eavesdropping Erik also learns that Christine loves Raoul, not him), she is kidnapped off the stage in the midst of a performance.
#Phantom of the opera book written in eriks perspective full
acts on his threats and publically embarrasses the diva Carlotta (making way for Christine as leading lady) and crashes the chandelier into the audience in a lethal “accident.” His conflict with the managers is now in full stride as well.įirst Pinch Point: At a masquerade ball, Raoul recognizes the Angel of Music dressed as “Red Death.” He confronts Christine, jealous as ever, and she agrees to a secret engagement, although she is convinced they will never be able to marry for reasons she won’t make entirely clear to him. Here, the “voice” from her dressing room manifests into a flesh-and-blood man, and Raoul’s conflict against him for the heart and soul of Christine begins in earnest-even though Raoul doesn’t yet understand the true nature of that conflict. She already knows about the Angel of Music and has, essentially, already passed her own Inciting Event.įirst Plot Point: Raoul follows Christine to the Perros graveyard, where he learns of her mysterious singing instructor-the Angel of Music. Note, too, how this approach works because Christine is not the protagonist. Particularly in the case of the managers, they’re “refusing the Call to Adventure” by refusing to even acknowledge the call exists.
#Phantom of the opera book written in eriks perspective how to
They’ve encountered the beginnings of the main conflict, but they don’t yet really know what it is or how to grapple with it. In both instances, the characters brush against the conflict. Meanwhile, the new managers take over the opera-and refuse to cooperate with “O.G.,” the so-called opera ghost.
He sneaks in later, only to discover no one is there. Inciting Event: On the night when the viscount Raoul finally declares himself to his childhood sweetheart-the new belle of the opera, Christine Daae-he hears a strange man speaking to her in her dressing room.
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